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Two early comedies by the master of subtle elegance, accompanied live on the Mighty Wurlitzer theatre organ by Anna Vavilkina. In *When I Was Dead* (1916), an angry husband fakes his own death following an argument with his wife. To prevent his mother-in-law from remarrying his wife, he returns to h

On 5 May, the exhibition "Zeitgenosse Hoffmann? E.T.A. Hoffmann and Music". In addition to musical instruments that Hoffmann mentions, it addresses the topicality of his ideas for the perception of electronic sounds. The exhibition is accompanied by a lecture programme and an interactive map locates

Dr Emanuele Marconi Director of the Musikinstrumenten-Museum, Staatliches Institut für Musikforschung Emanuele Marconi graduated as a restorer from the Civica Scuola di Liuteria (Lutherie making school) in Milan and then studied Musicology and Cultural Heritage Conservation in Cremona (Università di

Studio Technology Studio technology accounts for a large part of the technical equipment used in music transmission, including sound transducers (e.g., microphones and loudspeakers); equipment for switching, mixing, distributing, transmitting and amplifying audio signals (e.g., patch panels, mixing

Dr. Benedikt Brilmayer Researcher and curator for bowed and plucked stringed instruments and electronic instruments Since 2017 Researcher and curator at the Musikinstrumenten-Museum SIM PK (bowed and plucked string instruments, electronic instruments) 2015–2017 Research assistant at the Musikinstrum

Dr Rebecca Wolf Rebecca Wolf is the director of the Staatliches Institut für Musikforschung. She is a musicologist with a focus on the cultural history of music and organology in the 19th and 20th centuries, on the history of interpretation and media studies. CV Since August 2021 Director of the Sta

Multiperspectivity On the Nature of Research at the Staatliches Institut für Musikforschung The Staatliche Institut für Musikforschung (SIM) is the largest non-university research institution for musicology in Germany. The Institute encompasses a library and a musical instruments museum. The coexist

Tom Wappler, M.A. Tom Wappler worked as an assistant in Department II: Music Theory and Music History at the Staatliche Institut für Musikforschung Preußischer Kulturbesitz. In his dissertation, he dealed with the praxeology of musical arrangements, examining their different uses in early 20th centu

Data privacy The Staatliche Institut für Musikforschung (SIM) as a legally dependent institution of the Stiftung Reußischer Kulturbesitz (Prussian Cultural Heritage Foundation, SPK) is committed to handling your personal data in a responsible way and to maintaining transparency about its use. The fo

Young artists introduce themselves. Haotian Wang, piano (UdK Berlin) Programme Ludwig van Beethoven (1770–1827) Piano Sonata in E flat major, Op. 31 No. 3 Maurice Ravel (1875–1937) Sonatine Frédéric Chopin (1810–1849) Andante spianato and Grande Polonaise brillante, Op. 22 Haotian Wang, piano Free a