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Studio Technology Studio technology accounts for a large part of the technical equipment used in music transmission, including sound transducers (e.g., microphones and loudspeakers); equipment for switching, mixing, distributing, transmitting and amplifying audio signals (e.g., patch panels, mixing

Jazz at the MIM Start: 7 p.m., free admission Berlin's cultural diversity is also reflected in the jazz scene. For twenty years, the Musical Instrument Museum of the State Institute for Music Research has provided a venue for Berlin's many modern jazz ensembles. The "Jazz at the MIM" series is organ

Sound and Vision Experience Lab Large-screen monitor and loudspeaker of the SV_XL in the working model Sound & Vision Experience Lab The project Sound & Vision Experience Lab (SV_XL) evolved from the DFG-funded project "Audio-visual perception of acoustical environments". It is funded by the board o

Tickets Museum admission Regular admission 10 euros, reduced 5 euros Tours 3 euros (plus museum admission) Three-day ticket Berlin museums (Berlin museum pass) 32 euros, reduced 16 euros Annual ticket – Basic (only with time slot) 25 euros Annual ticket – Classic 59 euros, reduced 25 euros Annual ti

Sound design and aesthetics Those involved in the transmission of music must make decisions that affect the reproduction of music in general and the reproduction of its sound, in particular. When reproducing an original music performance, one can distinguish three objectives in relation to sound aes

Music Transmission The term “music transmission” covers all processes involved in the conveyance of musical sound across large distances or temporal intervals. This includes processes for recording, storing, editing, conducting and playing back music. On the one hand, music transmission relies on te

Music Perception At the SIM, experimental studies of questions involving the perception of music are a tradition that goes back to Hans-Peter Reinecke, the founder of Department III (then named the Department of Acoustics and Music Psychology) and later the institute’s director. Reinecke examined di

Discology SIM pursues discology research based on the premise that radio, records and compact discs are not just media for transmitting and storing music but, like musical instruments, are media of music itself. Edison cylinder from the sound recording collection of the SIMPK library. Photograph by

Dr. Jo Wilhelm Siebert Curriculum vitae 2000-2009 Studies in Musicology, Philosophy and Comparative Literature (MA) at the Technical University of Berlin 2003/2004 Studies (Musicology) at Royal Holloway College, University of London 2.2009 to 1.2011 Research Assistant at the State Institute for Musi

René Wallor, M.A. 2007 Internship at the Deutsches Musikarchiv in Berlin 2007–2010 Collaborator in the BMWi-funded Theseus subproject Contentus at the Deutsches Musikarchiv in Berlin 2012 Master of Arts at the Humboldt Universität zu Berlin in the subjects Library Science and Musicology. Master thes