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Band 3: Aspekte - Parameter Die erste große zusammenfassende Darstellung der Geschichte musikalischer Interpretation in den letzten beiden Jahrhunderten. Nachdem Band 1 Ästhetik und Ideengeschichte, Band 2 Institutionen und Medien der Interpretation thematisiert haben, befasst sich Band 3 mit der kl

Location and directions The Staatliche Institut für Musikforschung Preußischer Kulturbesitz is part of the "Kulturforum Berlin", an area of urban development between the Landwehr Canal, Großer Tiergarten and Potsdamer Platz in the Tiergarten quarter of Berlin Mitte. The Institute is located in the l

Collection The Musikinstrumenten-Museum of the Staatliches Institut für Musikforschung collects musical instruments of European art music from the 16th to the 21st century. The museum currently has around 3,600 instruments in its collection, many of which are in playable condition. A good 800 instru

Archive of Concert Life From 2013 to 2016, the Musicological Documentation department at the SIM carried out a digitization project resulting in the “Archive of Concert Life.” The purpose of this project was to preserve, digitize and analyze records of concert life that have traditionally been regar

Second Viennese School The Staatliches Institut für Musikforschung (State Institute for Music Research, SIM) has a research program dedicated to the music of the Second Viennese School. It is concerned largely with publishing the correspondence of the leading members of the school. At the heart of t

Imprint / Rights The provider of this website is Stiftung Preußischer Kulturbesitz Staatliches Institut für Musikforschung Ben-Gurion-Straße 1 10785 Berlin Telefon +49 30 254 81-0 kontakt(at)sim.spk-berlin(dot)de Representative The Staatliche Institut für Musikforschung (SIMPK) is a legally dependen

Audio-visual perception of acoustical environments Participant in the Virtual Concert Hall. Photo: Hans-Joachim Maempel From 2015 to 2018, the SIM conducted the second phase of the project "Audio-visual perception of acoustical environments" (MA 4343/1-2) within the framework of the DFG research uni

Schönberg24 "Schönberg is dead", composer and conductor Pierre Boulez proclaimed in 1951. Despite such prophecies of doom, Schönberg's compositional and theoretical work continues to attract a great deal of attention from performers, contemporary composers, and audiences alike. In three series of ev

Olga Adelmann: Master Violin Maker, Restorer, Scholar How international collaboration lead to the discovery of forgotten masterpieces In my personal possession I have an old postcard from the year 1938. The picture side shows a panorama of the city of Cremona with the white marble facade and the ico

Experiencing Music - Exploring Music Strategy Paper of the Staatliches Institut für Musikforschung 2023 to 2028 Prerequisites Music is a human form of expression and communication that transcends boundaries and times, and it is in a constant state of technical, aesthetic, and social change. Music id