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  1. Jazz at the MIM

    Jazz at the MIM Start: 7 p.m., free admission Berlin's cultural diversity is also reflected in the jazz scene. For twenty years, the Musical Instrument Museum of the State Institute for Music Research has provided a venue for Berlin's many modern jazz ensembles. The "Jazz at the MIM" series is organ

  2. Jour Fixe – Music in the Afternoon

    Jour Fixe – Music in the Afternoon Performances by young artists Performances take place every two weeks on Wednesdays at 3.30 p.m. Admission is free. The free admission tickets (2 tickets per person) are given out at the museum’s ticket desk starting at 2.30 p.m. Note The concerts are recorded for

  3. Sound Spaces

    Sound Spaces Music and freedom Music seems to be free - it sounds, touches and disappears. But it almost always moves within a network of culturally moulded and historically evolved rules. From pop songs to symphonies, we follow musical patterns that are constantly changing but never disappear. Musi

  4. Concert Series

    Concert Series The Musikinstrumenten-Museum hosts regular concerts featuring a variety of styles of music. Ranging from early music to jazz to silent film scores, the various concert series at the Musikinstrumenten-Museum shed light on the history of music as well as different aspects of contemporar

  5. Online publications

    Online publications Tempo Measurements in Piano Sonatas by Ludwig van Beethoven by Heinz von Loesch and Fabian Brinkmann https://doi.org/10.5281/zenodo.8081731 Transcending slowness in Beethoven's late style by Marten Noorduin https://doi.org/10.5281/zenodo.7961897 Beethoven's Indications of Tempo a

  6. Award of the German Musical Instrument Prize (02.06.2023)

    On 1 June 2023, the 33rd presentation of the German Musical Instrument Award took place at the Musical Instrument Museum of the State Institute for Music Research. The award went to the Gebrüder Alexander Rheinische Musikinstrumentenfabrik GmbH for their F/B double horn model 1106 MAL HG as well as

  7. Dr. John Lam

    Dr. John Lam Hong Kong-based researcher John Lam Chun-fai visits the Staatliche Institut für Musikforschung for three months, undertaking a project entitled, ‘Twentieth-century music theory and composition in flux: Trilateral interactions between China and Japan with Germany’. With an emphasis on co

  8. René Wallor, M.A.

    René Wallor, M.A. 2007 Internship at the Deutsches Musikarchiv in Berlin 2007–2010 Collaborator in the BMWi-funded Theseus subproject Contentus at the Deutsches Musikarchiv in Berlin 2012 Master of Arts at the Humboldt Universität zu Berlin in the subjects Library Science and Musicology. Master thes

  9. Björn Kempf, M.A.

    Björn Kempf, M.A. Conservator of woodwind, brass and percussion instruments University education 2000–2006 Studied art history and German at the University of Hamburg. Major: Architectural History. Master's thesis with Prof. Dr. Hermann Hipp with the topic: "Historische Industriearchitektur, Umnutzu

  10. Tom Wappler, M.A.

    Tom Wappler, M.A. Tom Wappler worked as an assistant in Department II: Music Theory and Music History at the Staatliche Institut für Musikforschung Preußischer Kulturbesitz. In his dissertation, he dealed with the praxeology of musical arrangements, examining their different uses in early 20th centu