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Instrument making in two German republics from June 2024 Spotlight exhibition on instrument making during the division of Germany Electronic organ world champion TO 200/5, 1970, VEB Klingenthaler Harmonikawerke. Photo: SIMPK/Anne-Katrin Breitenborn The Musikinstrumenten-Museum uses actors and object

Flavia Hennig, M.A. Higher Education 04/2018–09/2023 MA studies at the Humboldt University of Berlin: Musicology 09/2016–01/2017 Erasmus semester in France at the Université Lumière Lyon 2: Musicology 10/2014–08/2018 BA studies at the Humboldt University of Berlin: core subject Musicology, second su

Dr. Thomas MacMillan Research Institute Assistant Higher education 2019–2022 PhD at the University of Arts Berlin Dissertation: „I Might Be Wrong: Modal Fluctuation in the Music of Radiohead“ 2009–2014 Studies in musicology and composition (Bachelor and Master degrees) Newcastle University, England

Schönberg24 "Schönberg is dead", composer and conductor Pierre Boulez proclaimed in 1951. Despite such prophecies of doom, Schönberg's compositional and theoretical work continues to attract a great deal of attention from performers, contemporary composers, and audiences alike. In three series of ev

Low brass A brief history of low brass instruments Bass tuba by Johann Gottfried Moritz (Berlin, 1839), cat.-no. 4456. Photo: Schnepp Renou Exhibition in the stone foyer of the Musikinstrumenten-Museum for the "Year of the Tuba 2024" Whether in a symphony orchestra or a brass band, the tuba is an es

Stamatia Fourlemadi Stamatia Fourlemadi is finishing her studies at the National and Kapodistrian University of Athens in the department of History and Philosophy of Science . At the same time she is a musician, having received a diploma in both trumpet performance and music theory from Odeion Conse

Bibliographie des Musikschrifttums The Bibliographie des Musikschrifttums (Bibliography of Music Literature, BMS) was created in 1936 by our predecessor institution, the Staatliches Institut für deutsche Musikforschung (State Institute for German Music Research) in Berlin, in order to establish a co

Correspondence of the Second Viennese School This multivolume series containing the complete correspondence of the Viennese School gives researchers and the general public access to one of the most important collections of sources for the history of twentieth-century music. Letter from Arnold Schönb

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