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Systematic Musicology The papers listed here in the area of Systematic Musicology deal not only with the Institute's main topics such as music perception, music transmission, and interpretation, but also with music sociology and methodological topics. Maempel, Hans-Joachim (in press): "Audiobearbeit

Christian Elsner Christian Elsner has been employed at the Staatliche Institut für Musikforschung since 2013. As a house technician, he looks after all the technical systems of the house, works in the areas of studio, audio, video technology and IT, as well as in the media area at events, and stands

History The history of the Berlin Musikinstrumenten-Museum (Museum of Musical Instruments) dates back to 1888 when Philipp Spitta and Joseph Joachim founded the "Sammlung alter Musikinstrumente" (Collection of Old Musical Instruments) at the Königliche Akademische Hochschule (Royal Academy) in Berli

Sitemap Museum Visiting the Museum Opening hours & directions Tickets SIM Café Concert Series Collection Highlights of the Exhibition History Library Holdings and focal points Terms of use Location and directions WLAN login Digitised collections [Translate to English:] Phonographische Zeitschrift Bi

"Berlin Secrets" is the motto of the Long Night 2024. We uncover the secrets of famous instruments and their makers and open the doors to hidden spaces. Exhibitions Low Brass. A Brief History of Low Brass Instruments more Instrument Making in Two German Republics. Spotlight Exhibition on the 75th An

Sound and Vision Experience Lab Large-screen monitor and loudspeaker of the SV_XL in the working model Sound & Vision Experience Lab The project Sound & Vision Experience Lab (SV_XL) evolved from the DFG-funded project "Audio-visual perception of acoustical environments". It is funded by the board o

Showcase of Musical Interpretation The series Showcase of Musical Interpretation reintroduces forgotten figures from the history of musical interpretation. These profiles appear at irregular intervals and make no claim to completeness. Analog media are presented in a display case in the foyer of our

Sound design and aesthetics Those involved in the transmission of music must make decisions that affect the reproduction of music in general and the reproduction of its sound, in particular. When reproducing an original music performance, one can distinguish three objectives in relation to sound aes

Music Perception At the SIM, experimental studies of questions involving the perception of music are a tradition that goes back to Hans-Peter Reinecke, the founder of Department III (then named the Department of Acoustics and Music Psychology) and later the institute’s director. Reinecke examined di

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