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»Piazzolla 2021« Musical Cultural Transfer Argentina – Europe
Veranstaltungsdatum: 04.11.2021
Ort der Veranstaltung: Curt-Sachs-Saal
Symposium 4.–6.11.2021 virtual (via Webex)
Symposium
4.–6.11.2021
virtual (via Webex)
Free Registration: https://iai-virtuell.einladbar.de/en/
Program for download (pdf, 259 KB)
KEYNOTE LECTURE
4.11.2021, 6 p.m. CET
Esteban Buch (École des hautes études en sciences sociales, Paris)
Il ritorno di Kagel in patria, and Other Stories on Music and Distance
SESSION 1
5.11.2021, 4–7.15 p.m. CET
Stefan Drees (Hochschule für Musik Hanns Eisler, Berlin)
Tango Adaptations in European Art Music Before 1930
Benedikt Brilmayer (Staatliches Institut für Musikforschung PK, Berlin)
Che Bandoneón: Signature in Tango’s Timbre and Piazzolla’s Life
Alberto Munarriz (York University, Toronto)
The Setting and the Scene – an Examination of How the Sociopolitical Context, Local Infrastructure and Listener’s Expectations Helped in the Consolidation of the Parisian Tango Scene in the 1980s
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Nolan Sprangers (University of Toronto)
Following Wagner to Argentine – Wagnerian Politics and Temporalities in Strawinsky’s Persepone
Björn Heile (University of Glasgow)
Alberto Ginastera, Juan Carlos Paz and the Centro Latinoamericano de Altos Estudios Musicales (CLAEM): Between National and International Networks
Julius Reder Carlson (Mount Saint Mary’s University, Los Angeles)
European Influence and European Exile in Atahualpa Yupanqui’s Musical Activism
SESSION 2
6.11.1021, 2–4:45 p.m. CET
Elke Steinhauser (Universität Tübingen)
Astor Piazzolla’s Adiós Nonino: Origins and Performance History
Juan María Solare (Universität / Hochschule für Künste Bremen)
About Piazzolla's Three Preludes for Solo Piano (1987)
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Diego Andrés Prigollini (Conservatorio Ástor Piazzolla, Buenos Aires)
On Otro purrete, tango for piano by Juan María Solare. Roots, tradition and new music within the Buenos Aires conservatory cultural system
Alfredo Corral (Departamento de Artes Musicales y Sonoras »Carlos López Buchardo«, Universidad Nacional de las Artes, Buenos Aires)
PHDESCI by Juan María Solare
Iyán F. Ploquin (Universidad de Oviedo)
The electric guitar in the classic cross over music of Juan María Solare
SESSION 3
6.11.2021, 5:15–8:30 p.m. CET
Christina Richter-Ibáñez (Universität Tübingen)
Tango, Jazz, and Organ Sound – Argentinian and Other Influences in the works of Mauricio Kagel and Astor Piazzolla in the 1970s
Elaine Fitz Gibbon (Harvard University)
Musica Nostra: Reevaluating Political Musiktheater (Kagel)
Luis Menacho (Universidad Nacional de La Plata)
Nuevos aires en el Río de Plata. The tangos of Mariano Etkin and Gerardo Gandini
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Haydee Schvartz (Universidad Nacional de las Artes, Buenos Aires)
TheYvar Mikhashoff's International Piano Tango Collection. The Argentinean Extension of Mikhashoff Project
Helena Bugallo (Musik-Akademie Basel)
The Singing Piano: Jodeln (2000) for Piano Harmonics by Erik Oña
Simone Hohmaier (Staatliches Institut für Musikforschung PK, Berlin)
“Forging a National Music”. European Sources in Ginastera's Search for a Personal Idiom
Contact:
Dr. Simone Hohmaier hohmaier@sim.spk-berlin.de
Dr. Ulrike Mühlschlegel Muehlschlegel@iai.spk-berlin.de
Free Registration: https://iai-virtuell.einladbar.de/en/
Das Symposium findet statt im Rahmen von »Piazzolla 2021 – Ein musikalischer Dialog zwischen Argentinien und Europa«, eine Kooperation zwischen Ibero-Amerikanischem Institut und Staatlichem Institut für Musikforschung.
